Bluegrass Unlimited  [April 2006 Issue]
MOONSHINE RACERS-SKYLINE MOTEL
-Little King Records 8843.

North Carolina's Moonshine Racers call their music "prograssive-y'allternative," and this compact disc is an ideal showcase for the compositions of bandmember Scott (Fudd) McKinney. The band's contemporary style reflects a multitude of influences ranging from bluegrass and country to jazz and rock-n-roll. A few of the more compelling tracks are "Hobo's Prayer," "Pain Is Never Free," and "Nothing But A Memory." Anyone who enjoys the progressive side of bluegrass will find much to savor from the Moonshine Racers. (Moonshine Racers, 6700 Orr Rd., Charlotte, NC 28213, www.moonshineracers.com.)

HIGH COUNTRY NEWS by David Brewer August 2006

While there is no shortage of great pickers living and playing around the High Country, there also happens to be quite a few living off the mountain. One band that falls headlong into that category is Charlotte’s Moonshine Racers.
Performing together since early 2001, the Queen City quartet has performed a number of times in the High Country. The band will be at Canyons next Saturday, August 12, at 10:30 p.m.
Comprised of members Fudd McKinney, Cito Giulini, Tommy Rapé (pronounced rah-PAY) and Rick Stapleton, the Moonshine Racers call their music "Prograssive-Y'allternative." The unique descriptor, a nod to their firm bluegrass roots while also signifying their lack of tradition, lets people know immediately that the band isn’t just a bluegrass band.
“We’re kind of hard to classify,” said McKinney, the band’s lead vocalist and rhythm guitarist. “We’ve got the bluegrass thing going along with a smattering of other influences.”
Those influences that include classic country, jazz, blues, old-time, gospel, rock and roll and American roots music, come through loud and clear on the Moonshine Racers’ 2005 release Skyline Motel. Evoking such artists as Peter Rowan, The Stanley Brothers, Acoustic Syndicate and The Grateful Dead, the discs’ ten original tracks feature McKinney’s soulful storytelling and the band’s tasteful acoustic chops.
“It’s just us trying to be us,” said McKinney, addressing his preference of incorporating new ideas as opposed to being just a bluegrass cover band.
Over the last several months, Skyline Motel has been in rotation on WNCW as well as on a few other stations around North Carolina. WNCW also hosted the band for an in-studio performance to promote the disc. Much to the group’s surprise, the disc also received a favorable review in the traditionally minded Bluegrass Unlimited magazine.
But while McKinney says that he and his bandmates are pleased with their debut release, they are truly in their element in the live setting.
“We really get fired up about the live shows,” said McKinney, admitting that the band isn’t afraid to be silly as well. “We like to keep the crowd on their toes.”
According to McKinney, the band’s most recent show at Canyons yielded a strong response, but he hopes that their upcoming show would produce a few more people. “I hope all those people bring a friend,” said McKinney.
One thing that will help the band draw some folks into the show will be this Saturday’s duo show with McKinney and Giulini at Murphy’s. Describing the show as fun, loose and with an even broader array of material, the pair’s show is a mix of original country songs along with some obscure covers.
It should also be noted that McKinney describes the show as “Weird Al meets Toby Keith.”
Regardless of classifications or descriptions, the Moonshine Racers’ newgrass style is a warm and driving blend of harmony, storytelling and great picking with some humor thrown in for good measure.  
                                                                            

MOONSHINE RACERS
THE SOUTH’S OLDEST NEW BAND
By Bryan Crain   Honest Tune magazine:
The American Journal of Jam and Roots. Spring 2006, Vol.7, # 2

The Moonshine Racers just may be one of the South’s “oldest, new bands.”Between the four members of the Charlotte, North Carolina-based band, they have more than 100 years of performing and recording experience between them.Lead guitarist Cito Guilini spent the late 80’s and most of the 90’s with Charlotte’s Other People (remember the “Be Kind to Other People” stickers?), as well as his own project Liquid Sound.Singer, songwriter and guitarist Scott “Fudd” McKinney performed with the Southern jam band Residew in the early 90’s and with the Newcastle Boys.Banjoist Tommy Rape’ (pronounced rah-PAY) and bassist Rick Stapleton performed with numerous groups including Western North Carolina favorites The Woodies.  The experience shows in the Moonshine Racers debut CD Skyline Motel.The band describes itself as “Prograssive-Y’allternative,” and the bluegrass influence is prominent.Tight, three-part vocal harmonies, tasteful and melodic guitar and banjo, and a guest appearance by longtime Doc Watson side-man Jack Lawrence underscore the bluegrass roots of the band.  The traditional influence of Bill Monroe, the Stanley Brothers, and contemporary great Del McCoury can be heard in such songs as “Nothin’ but a Memory,” “Breakdown,” and banjo player Rape’s “Haley’s Ride.”But there is much more to the Moonshine Racers’ sound than just “pickin’ and grinnin’.”McKinney’s songwriting abilities are displayed in the CD’s opening track “November Rain” (and no, not the Axl variety) which features guitar and banjo harmonies..Giulini’s well-honed guitar skills are displayed on the harder edged acoustic rockers “Pain is Never Free” and “Hard to Say.”Jam band aficionados will be impressed with Giulini’s Latin feel and Garcia-influenced leads.The Moonshine Racers plan to hit the road in the summer and fall of 2006, but until then you can get a feel for their live sound with free downloads from the band’s website.A follow-up CD is planned for late ’06 or early ’07.  This is one “old, new band” that will be worth waiting on,

Rating: three and 1/2 out of four stars   
By Courtney Devores
THE CHARLOTTE OBSERVER
MONDAY FEBRUARY 20, 2006

Charlotte's Moonshine Racers kick off their debut album, "Skyline Motel," with the catchy "November Rain," which quickly gets stuck in your head.  It's not a cover of the Guns N’ Roses song of the same name, though.  With nimble picking that serves an almost vocal role, and a memorable chorus, their "rain" is less dramatic and more organic than the old version.

With front man/vocalist McKinney's relaxed storytelling, the group's restrained harmonies and subtle, layered banjo, guitar, and mandolin picking, this local bluegrass outfit brings pop, classical and jazz sensibilities to his traditional Carolina template. Instrumental runs by Venezuelan-born guitarist mandolin player Cito Giulini bring a Latin element to the mix.  He, McKinney, and banjo player Tommy Rape provide fitting solos that manage to impress without being showy.

The group describes its sound as “prograssive y'allternative.”  It's a fitting term considering the sound combines the inventiveness of new newgrassers like Bela Fleck and Sam Bush with a quiet, chamber rock gentleness and the blue-collar realness of classic bands like the Eagles.

    By  “GTR” Levin
    AMPS ELEVEN MAGAZINE, CHARLOTTE, NC
    Tuesday, December 13, 2005         

When I was asked to review a bluegrass record, I thought, “who, me?”  A Sex Pistols lovin’, former college radio directin’, northeastern transplantin’ kind of guy…bluegrass?  I don’t really know anything about bluegrass.  My exposure to bluegrass music (was) limited to “O Brother Where Art Thou” and some performances at [local] music parties.  The Moonshine Racers are not your typical bluegrass.  They would rather you think of them as “progressive Y-allternative.”  I didn’t know what that meant, but it was evident from the opening of November Rain that these guys are for real.  Clearly, these are some fine musicians, and while the music definitely has all the trappings of your typical bluegrass collective, there is something different about lead singer Scott “Fudd” McKinney’s voice.  It does not have the typical twang often found in bluegrass recordings.  Fudd’s vocals provide accessibility to people whose musical tastes lie outside of bluegrass.  The harmonies were tight and tasteful.

I like to think of myself as an open minded listener, but even I find most bluegrass rather grating after too long.  The Moonshine Racers changed things up enough to keep the record interesting, and when the record was over,  I had no hesitation to pressing play and starting the journey all over again.  However, as with most DIY debut albums, I found the overall performance a little flat and one-dimensional; especially after hearing the live recordings on their website.  Their live performances have a punch and fire that is not as apparent on Skyline Motel.  Nonetheless, Skyline Motel is a fine debut, and after a glimpse into the world of  “progressive Y-allternative,” I think I want some more.
                                                                      
                                                                   

  Woody Mitchell
  The Charlotte Observer  
  March 15 2004

You don't get much rootsier than this Charlotte crew.  Drawing on old-
time music, bluegrass and country blues, the Moonshine Racers have
blended their own amalgam of foot-stompin' twang.  Expect to hear some
Bill Monroe, Hank Sr., Mississippi John Hurt, Elvis, Doc Watson and
Jimmie Rodgers, plus a passel of their home-brewed material. Saturday
at the Visulite Theatre.